DL Blog

Questioni comiche: bibliografia

 

Ogni domenica, sul Fatto quotidiano, c’è la mia pagina dedicata alle questioni dell’arte comica: come farla, come analizzarla, qual è la sua funzione sociale; e il suo rapporto con le scienze, le leggi e le arti. Qui troverete le fonti citate negli articoli, puntata per puntata.

Grazie ai motori di ricerca, sul web bastano autore e titolo per rintracciare i dati completi di un libro: una bibliografia può essere semplificata.

Buona lettura!

#1

Girard, Un pericoloso equilibrio. Ipotesi sulla comicità, 2006
              La violenza e il sacro, 1972
              Menzogna romantica e verità romanzesca, 1961

#2

Berger, Redeeming Laughter, 1997
Fo, Manuale minimo dell’attore, 1987
Greimas, Semiotica. Dizionario ragionato della teoria del linguaggio, 1979
Laborit, Elogio della fuga, 1976
Rizzi, La coppia comica, il doppio perturbante, 1986

#3

Girard, Delle cose nascoste sin dalla fondazione del mondo, 1978
Douglas, Purezza e pericolo, 1966
Bettelheim, Il mondo incantato, 1975
Barthes, Miti d’oggi, 1970
Gruppo di Liegi, Retorica della poesia, 1977
                               Retorica generale, 1970
Auden, prefazione a Stewart, Sense and Inconsequence, 1972

#4

Bergson, Il riso, 1900
FreudIl motto di spirito, 1905
Grice, Logica e conversazione, 1975
Martin, Humor and Laughter, 2000
Little, Regulating Funny: Humor and Law, 2009
McGhee, A Model of the Origins and Early Development of Incongruity-Based Humor, 1977

#5

Bourdieu, L’economia degli scambi linguistici, 1982
Bleger, Simbiosi e ambiguità, 1967

#6

Marx & Engels, L’ideologia tedesca, 1846
Pasolini, Intervista di Louis Valentin, 1970
Foucault, Soggetto e Potere, 1982

#7

Orbdlik, ‘Gallows Humor’: A Sociological Phenomenon, 1942
Banc & Dundes, First Prize: Fifteen Years!, 1986
Warneken, Der sozialkritische Witz als Forschungsproblem, 1978
Stein, The Politics of Humor: The Berlin Wall in Jokes and Graffiti, 1989
Gamm, Der Flüsterwitz im Dritten Reich, 1963
Oring, Jokes and the Discourse of Disaster, 1987
Rancière, Politics of Aesthetics: the Distribution of the Sensible, 2004
Jankélévitch, Il Puro e l’Impuro, 1960
Appel, The Annotated Lolita, 1953
Melandri, La linea e il circolo, 1968
Luporini, Leopardi progressivo, 1947
Pasolini, Conversazione con Gideon Bachman, 1974
                 Intervista di Giorgio Bocca, 1966
Buber, Il problema dell’uomo, 1943

#8

Ryzik, Buckley & Kantor, Louis C.K. Is Accused by 5 Women of Sexual Misconduct, 2017
Louis C.K. Responds to Accusations: ‘These Stories Are True’, 2017
Kilmartin, Being a Female Comic in Louis C.K.’s World, 2017
Ryzik, Louis C.K. Performs First Stand-Up Set at Club Since Admitting to #MeToo Cases, 2018
Kiefer, Louis C.K. Returns to Stand-up for the First Time Since Admitting to Sexual Misconduct, 2018
Traister, Too Much, Too Soon, 2018
Dessem, Louis C.K. Performed Stand-up Sunday for the First Time Since Admitting Sexual Misconduct, 2018
Hess, Louis C.K. Slithers Back, Whether We’re Ready or Not, 2018
Stevenson, Standup Comedians Explain Why Louis C.K.’s Return Was So Infuriating, 2018
Amatulli, Louis C.K. Performs At Comedy Cellar Again, Appears To Have Learned Nothing, 2018
Ryzik, Louis C.K. Performs Again, but Club Gives Patrons an Out, 2018
Deb, Louis C.K. Turns Up at a Comedy Club, but This Time It’s No Secret, 2018
Wright, We Always Knew a Louis C.K. Comeback Would Be Easy, 2018
Aswell, The Role Money Plays In Louis C.K.’s Recent Return, 2018
Zoller Seitz, The Real Louis C.K. Is Finally Standing Up, 2018
Pesca, It’s Like Louis C.K. Is Not Even Trying to Win Back His Audience, 2019
DessemLouis C.K.’s Newest Fans Deserve Louis C.K.’s Newest Special, 2020

#9

BBC News, Little Britain pulled from iPlayer and Netflix because ‘times have changed’, 2020
Nicholson, How Did It Take This Long To Put ‘Little Britain’ In The Bin?, 2020
Sandhu, Why blackface is offensive: the history of the racist comedy trope after Little Britain removed from BBC iPlayer and Netflix, 2020
Marshall, Blackface on British TV Finally Faces a Reckoning, 2020
Blackall, David Walliams and Matt Lucas apologise for Little Britain blackface, 2020
Ivie, Netflix Removes Several British Sketch Shows Over Blackface, 2020
Clark, How the History of Blackface Is Rooted in Racism, 2019
Howard, The problem with blackface, 2018
Harrison, ‘Little Britain’ Has Not Aged Very Well, 2018

#10

Nabokov, Un mondo sinistro, 1947
Lehne & Koelsch, Toward a general psychological model of tension and suspense, 2015
Ramachandran, The neurology and evolution of humor, laughter, and smiling: the false alarm theory, 1998
Martin, Born Standing Up, 2007

#11

Salmon, Teoria della traduzione, 2018
Bloch, A well-disposed social anthropologist’s problems with memes, 2000
Borges, Altre inquisizioni, 1952
Catford, A linguistic theory of translation: an essay in applied linguistics, 1969
Nida, Toward a Science of Translating, 1964
Schleiermacher, Sui diversi modi del tradurre, 1813
Von Humboldt, Introduzione alla traduzione dell’Agamennone di Eschilo, 1816
Lotman, La struttura del testo poetico, 1970

#12

Iaia, Analysing English as a Lingua Franca in Video Games, 2016
Caimotto, Transcreare un nuovo tipo di umorismo: il caso di Daniele Luttazzi, 2014
Charensol & Régent, René Clair, 1952

#13

Edelman & Tononi, A Universe of Consciousness, 2000

#14

Neisser, Cognitive Psychology, 1967

#15

Hickok, The Myth of Mirror Neurons, 2014
Fo, Manuale minimo dell’attore, 1987
Melandri, Contro il simbolico, 1989
Brandi, Celso, o della poesia, 1957
Fernandez, Museo del romanzo della Eterna, 1967
Kafka, La metamorfosi, 1915
Woody Allen, Senza piume, 1975
Melandri, La linea e il circolo, 1968
Koestler, The Act of Creation, 1964
Perelman & Olbrechts-Tyteca, Trattato dell’argomentazione, 1958
Gruppo di Liegi, Retorica generale, 1970

#16 e #17

Gruppo di Liegi, Retorica generale, 1970

#18

Maraini, La gnòsi delle fànfole, 1978

#19

Gruppo di Liegi, Retorica generale, 1970

#20

Olbrechts-Tyteca, Il comico del discorso, 1974
Butor, Répertoire III, 1968

#21

Olbrechts-Tyteca, Il comico del discorso, 1974
Freud, Il motto di spirito e la sua relazione con l’inconscio, 1905

#22

Olbrechts-Tyteca, Il comico del discorso, 1974

#27

Malerba, Strategie del comico, 2018
Fo, Manuale minimo dell’attore, 1987
Girard, Menzogna romantica e verità romanzesca, 1961

#28

Treu, Aristofane, nomi in commedia (Parte I). Il destino nel nome: Acarnesi, Cavalieri e Nuvole, 2019

#33

Giaccaria, Google Earth: rimappare il mondo, 2015

#37

Rank, Il doppio, 1914

#39

Borges, L’invenzione della poesia, 1967

#42

Gadamer, Verità e metodo, 1960
Paduano, Editoriale, Dioniso, vol. 1, 2011

#43

Fo, Manuale minimo dell’attore, 1987

#44-45

Greimas, La semantica strutturale, 1966

#46

Gruppo di Liegi, Retorica generale, 1970
Olbrechts-Tyteca, Il comico del discorso, 1974
Greimas, La semantica strutturale, 1966
Eco, Kant e l’ornitorinco, 1997
        Lector in fabula, 1979
Helmholtz, Handbuch der physiologischen Optik, 1867
Edelman & Tononi, A Universe of Consciousness, 2000
Morris, Signs, Language and Behavior, 1946
Violi, Significato ed esperienza, 1997

#47

Watson, Matthews & AllmanBrain Activation during Sight Gags and Language-Dependent Humor, 2007
Parris, Kuhn, Mizon, Benattayallah & HodgsonImaging the Impossible: An fMRI Study of Impossible Causal Relationships in Magic Tricks, 2009

#48

Attardo & Raskin, Script theory revis(it)ed: Joke similarity and joke representation model, 1991
Freud, Il motto di spirito e la sua relazione con l’inconscio, 1905
Averill, Autonomic response patterns during sadness and mirth, 1969
Levi, The urinary output of adrenalin and noradrenalin during pleasant and unpleasant emotional states, 1965
Schachter & Wheeler, Epinephrine, chlorpromazine, and amusement, 1962
Nerhardt, Humor and inclination to laugh: Emotional reactions to stimuli of different divergence from a range of expectancy, 1970
McGhee, The Role of Arousal and Hemispheric Lateralization in Humor, 1983
                  Humor: Its Origin and Development, 1979
Spencer, The physiology of laughter, 1860
Shannon, What children find humorous in the books they read and how they express their responses, 1999
Rapp, A philogenetic theory of wit and humor, 1949
Gruner, Understanding Laughter, 1978
Leacock, Humor: Its Theory and Technique, 1937
Clastres, De que riem os índios?, 1974

#49

Freud, Il motto di spirito e la sua relazione con l’inconscio, 1905
Robinson, Chaplin: His Life and Art, 1985
Foucault, L’archeologia del sapere, 1969
Hennigan, Sorry, Jerry Seinfeld, It’s Time to Retire, 2020
Bilé, Neri nei campi nazisti, 2005

#50

Minsky, A Framework for Representing Knowledge, 1974
Goffman, Frame Analysis: An essay on the organization of experience, 1974
Fillmore, Frame semantics and the nature of language, 1976
Gruppo di Liegi, Retorica generale, 1970

#51

Martin, Born Standing Up, 2007

#52

Bourriaud, Arte relazionale, 1998

#53

Greimas, La semantica strutturale, 1966

#54, 55, 56, 57

Gruppo di Liegi, Trattato del segno visivo, 1992
                                Retorica della poesia, 1977

#58

Adorno, Filosofia della musica moderna, 1949

#59, 60

Klee, Teoria della forma e della figurazione, 1956, 1970
Gruppo di Liegi, Trattato del segno visivo, 1992
Greimas, Semiotica Figurativa e Semiotica Plastica, 1984 

L’enigmista e il comico

Il Fatto quotidiano ha pubblicato la mia mini-serie in 11 puntate dedicata ai giochi linguistici, e alla parentela fra sacro, mito, rito, comicità, giochi enigmistici e giochi di prestigio. Qui troverete le fonti citate, puntata per puntata. Buone letture!

#1

Freud, Il motto di spirito, 1905

#2

Yus, Humor and the search for relevance, 2003

#3

Bartezzaghi, Parole in gioco, 2017

#4

Bartezzaghi, Parole in gioco, 2017
Castiglione, Il libro del Cortegiano, 1528

#5

Grice, Logica e conversazione, 1975

#6

Bartezzaghi, Parole in gioco, 2017
Fo, Manuale minimo dell’attore, 1987

#7

Borges, Discussione, 1932
               Prologhi, 1975
               Il prisma e lo specchio, 1919-1929
Boyd, Nabokov’s Pale Fire: The Magic of Artistic Discovery, 1999

#8

Nash, The Language of Humor, 1985
Borges, Prologhi, 1975
Nabokov, Intervista a The Listener, 1962
Ortiz, Designing Miracles, 2006
Watson, Matthews & Allman, Brain Activation during Sight Gags and Language-Dependent Humor, 2007
Parris, Kuhn, Mizon, Benattayallah & Hodgson, Imaging the Impossible: An fMRI Study of Impossible Causal Relationships in Magic Tricks, 2009

#9

Totò, Intervista alla RSTI, 1966
Loshin, Secrets Revealed: How Magicians Protect Intellectual Property Without Law, 2008
Crasson, The Limited Protections of Intellectual Property Law for the Variety Arts: Protecting Zacchini, Houdini, and Cirque Du Soleil, 2012
Brancolini, Abracadabra! Why Copyright Protection For Magic Is Not Just An Illusion, 2013

#10

Jones, The Honor System, 2012
Stone, Fooling Houdini, 2012
Loshin, Secrets Revealed: Protecting Magicians’ Intellectual Property without Law, 2010
Bolles, Stand-Up Comedy, Joke Theft, and Copyright Law, 2011
Nimmer & Nimmer, Nimmer on Copyright, 2012
Fauchart & Von Hippel, Norms-Based Intellectual Property Systems: The Case of French Chefs, 2008
Lemley, The Law and Economics of Internet Norms, 1998

#11

Raustiala & Sprigman, The Piracy Paradox: Innovation and Intellectual Property in Fashion Design, 2006
Suls, Cognitive Processes in Humor Appreciation, 1983
Bierce, Dizionario del diavolo, 1911

A proposito di plagio, originalità, diritto d’autore, copyright e comicità

Dal 15 ottobre, il Fatto quotidiano pubblica la mia nuova mini-serie in 8 puntate dedicata a temi di cui in Italia si parla troppo spesso con scarsa cognizione di causa, trinciando giudizi ad minchiam (di solito per diffamare chi, per vari motivi, sta sulle palle). Qui troverete le fonti citate, puntata per puntata. Buon viaggio!

# 1  

Borges, Prologhi, 1975

Ong, Oralità e scrittura, 1982

Melandri,  La linea e il circolo, 1968

Eagleton, Literary Theory: an Introduction, 1997

# 2

Neubauer, New Paths: Aspects of Music Theory and Aesthetics in the Age of   Romanticism, 2009

Melandri,  La linea e il circolo, 1968

Cardini, Mosaici, 2004

Austin, How to Do Things with Words, 1962

Searle, Speech Acts, 1969

Eliot, Tradizione e talento individuale, 1919

Nancy, Dis-Enclosure: the Deconstruction of Christianity, 2008

# 3

VerSteeg, Rethinking Originality, 1993

Bracha, The Ideology of Authorship Revisited: Authors, Markets, and Liberal Values in Early American Copyright, 2008

Kaplan, An Unhurried View of Copyright, 1967

BoyleThe Search for an Author: Shakespeare and the Framers, 1988

MacFarlane, Original Copy, 2007

Casas Vallés, The requirement of originality, 2009

Mould, Against Creativity, 2018

# 4

Shields, Fame di realtà: un manifesto, 2010

Gordon, Reality as Artifact: from ‘Feist’ to Fair Use, 1992 

Piola Caselli, Il diritto civile italiano secondo la dottrina e la giurisprudenza, 1927

Santoro, Brevi osservazioni in tema di parodia, 1968

Madison, Beyond Creativity: Copyright as Knowledge Law, 2010

Litman, The Public Domain, 1990

Bard & Kurlantzick, Copyright Duration, 1999

VerSteeg, Rethinking Originality, 1993

Borges, Finzioni, 1944

Arewa, The Freedom to Copy: Copyright, Creation, and Context, 2007

Updike, Odd Jobs: Essays and Criticism, 1991

Raustiala & Sprigman, The Piracy Paradox: Innovation and Intellectual Property in Fashion Design, 2006

# 5

Oliar & Sprigman, There’s No Free Laugh (Anymore): The Emergence of Intellectual Property Norms and the Transformation of Stand-Up Comedy, 2008

Voss, Is There Ever a Justification for Joke Stealing?, 2010

# 6

Oliar & Sprigman, There’s No Free Laugh (Anymore): The Emergence of Intellectual Property Norms and the Transformation of Stand-Up Comedy, 2008

Madison, Of Coase and Comics, or, The Comedy of Copyright, 2009

# 7

Strandburg, Who’s in the Club? A Response to Oliar and Sprigman, 2009

Kaplan, An Unhurried View of Copyright, 1967

Ellickson, Order Without Law: How Neighbors Settle Disputes, 1991

Grobel, Robin Williams – Playboy Interview, January 1992

Persall, Standing Up Just for Laughs, 1991

Oliar & Sprigman, There’s No Free Laugh (Anymore): The Emergence of Intellectual Property Norms and the Transformation of Stand-Up Comedy, 2008

Geoghan, Waiter, There’s a Joke in My Soup, 1989

# 8

Rothman, Custom, Comedy and the Value of Dissent, 2009

Oliar & Sprigman, There’s No Free Laugh (Anymore): The Emergence of Intellectual Property Norms and the Transformation of Stand-Up Comedy, 2008

Rotstein, Beyond Metaphor: Copyright Infringement and the Fiction of the Work, 1993