A proposito di plagio, originalità, diritto d’autore, copyright e comicità
Dal 15 ottobre, il Fatto quotidiano pubblica la mia nuova mini-serie in 8 puntate dedicata a temi di cui in Italia si parla troppo spesso con scarsa cognizione di causa, trinciando giudizi ad minchiam (di solito per diffamare chi, per vari motivi, sta sulle palle). Qui troverete le fonti citate, puntata per puntata. Buon viaggio!
# 1
Borges, Prologhi, 1975
Ong, Oralità e scrittura, 1982
Melandri, La linea e il circolo, 1968
Eagleton, Literary Theory: an Introduction, 1997
# 2
Neubauer, New Paths: Aspects of Music Theory and Aesthetics in the Age of Romanticism, 2009
Melandri, La linea e il circolo, 1968
Cardini, Mosaici, 2004
Austin, How to Do Things with Words, 1962
Searle, Speech Acts, 1969
Eliot, Tradizione e talento individuale, 1919
Nancy, Dis-Enclosure: the Deconstruction of Christianity, 2008
# 3
VerSteeg, Rethinking Originality, 1993
Bracha, The Ideology of Authorship Revisited: Authors, Markets, and Liberal Values in Early American Copyright, 2008
Kaplan, An Unhurried View of Copyright, 1967
Boyle, The Search for an Author: Shakespeare and the Framers, 1988
MacFarlane, Original Copy, 2007
Casas Vallés, The requirement of originality, 2009
Mould, Against Creativity, 2018
# 4
Shields, Fame di realtà: un manifesto, 2010
Gordon, Reality as Artifact: from ‘Feist’ to Fair Use, 1992
Piola Caselli, Il diritto civile italiano secondo la dottrina e la giurisprudenza, 1927
Santoro, Brevi osservazioni in tema di parodia, 1968
Madison, Beyond Creativity: Copyright as Knowledge Law, 2010
Litman, The Public Domain, 1990
Bard & Kurlantzick, Copyright Duration, 1999
VerSteeg, Rethinking Originality, 1993
Borges, Finzioni, 1944
Arewa, The Freedom to Copy: Copyright, Creation, and Context, 2007
Updike, Odd Jobs: Essays and Criticism, 1991
Raustiala & Sprigman, The Piracy Paradox: Innovation and Intellectual Property in Fashion Design, 2006
# 5
Oliar & Sprigman, There’s No Free Laugh (Anymore): The Emergence of Intellectual Property Norms and the Transformation of Stand-Up Comedy, 2008
Voss, Is There Ever a Justification for Joke Stealing?, 2010
# 6
Oliar & Sprigman, There’s No Free Laugh (Anymore): The Emergence of Intellectual Property Norms and the Transformation of Stand-Up Comedy, 2008
Madison, Of Coase and Comics, or, The Comedy of Copyright, 2009
# 7
Strandburg, Who’s in the Club? A Response to Oliar and Sprigman, 2009
Kaplan, An Unhurried View of Copyright, 1967
Ellickson, Order Without Law: How Neighbors Settle Disputes, 1991
Grobel, Robin Williams – Playboy Interview, January 1992
Persall, Standing Up Just for Laughs, 1991
Oliar & Sprigman, There’s No Free Laugh (Anymore): The Emergence of Intellectual Property Norms and the Transformation of Stand-Up Comedy, 2008
Geoghan, Waiter, There’s a Joke in My Soup, 1989
# 8
Rothman, Custom, Comedy and the Value of Dissent, 2009
Oliar & Sprigman, There’s No Free Laugh (Anymore): The Emergence of Intellectual Property Norms and the Transformation of Stand-Up Comedy, 2008
Rotstein, Beyond Metaphor: Copyright Infringement and the Fiction of the Work, 1993
