Il Fatto quotidiano ha pubblicato la mia mini-serie in 11 puntate dedicata ai giochi linguistici, e alla parentela fra sacro, mito, rito, comicità, giochi enigmistici e giochi di prestigio. Qui troverete le fonti citate, puntata per puntata. Buone letture!
#1
Freud, Il motto di spirito, 1905
#2
Yus, Humor and the search for relevance, 2003
#3
Bartezzaghi, Parole in gioco, 2017
#4
Bartezzaghi, Parole in gioco, 2017 Castiglione, Il libro del Cortegiano, 1528
#5
Grice, Logica e conversazione, 1975
#6
Bartezzaghi, Parole in gioco, 2017 Fo, Manuale minimo dell’attore, 1987
#7
Borges, Discussione, 1932 Prologhi, 1975 Il prisma e lo specchio, 1919-1929 Boyd, Nabokov’s Pale Fire: The Magic of Artistic Discovery, 1999
#8
Nash, The Language of Humor, 1985 Borges, Prologhi, 1975 Nabokov, Intervista a The Listener, 1962 Ortiz, Designing Miracles, 2006 Watson, Matthews & Allman, Brain Activation during Sight Gags and Language-Dependent Humor, 2007 Parris, Kuhn, Mizon, Benattayallah & Hodgson, Imaging the Impossible: An fMRI Study of Impossible Causal Relationships in Magic Tricks, 2009
#9
Totò, Intervista alla RSTI, 1966 Loshin, Secrets Revealed: How Magicians Protect Intellectual Property Without Law, 2008 Crasson, The Limited Protections of Intellectual Property Law for the Variety Arts: Protecting Zacchini, Houdini, and Cirque Du Soleil, 2012 Brancolini, Abracadabra! Why Copyright Protection For Magic Is Not Just An Illusion, 2013
#10
Jones, The Honor System, 2012 Stone, Fooling Houdini, 2012 Loshin, Secrets Revealed: Protecting Magicians’ Intellectual Property without Law, 2010 Bolles, Stand-Up Comedy, Joke Theft, and Copyright Law, 2011 Nimmer & Nimmer, Nimmer on Copyright, 2012 Fauchart & Von Hippel, Norms-Based Intellectual Property Systems: The Case of French Chefs, 2008 Lemley, The Law and Economics of Internet Norms, 1998
#11
Raustiala & Sprigman, The Piracy Paradox: Innovation and Intellectual Property in Fashion Design, 2006 Suls, Cognitive Processes in Humor Appreciation, 1983 Bierce, Dizionario del diavolo, 1911
Ogni domenica, sul Fatto quotidiano, c’è la mia pagina dedicata alle questioni dell’arte comica: come farla, come analizzarla, qual è la sua funzione sociale; e il suo rapporto con le scienze, le leggi e le arti. Qui troverete le fonti citate negli articoli, puntata per puntata.
Grazie ai motori di ricerca, sul web bastano autore e titolo per rintracciare i dati completi di un libro: una bibliografia può essere semplificata.
Buona lettura!
#1
Girard, Un pericoloso equilibrio. Ipotesi sulla comicità, 2006 La violenza e il sacro, 1972 Menzogna romantica e verità romanzesca, 1961
#2
Berger, Redeeming Laughter, 1997 Fo, Manuale minimo dell’attore, 1987 Greimas, Semiotica. Dizionario ragionato della teoria del linguaggio, 1979 Laborit, Elogio della fuga, 1976 Rizzi,La coppia comica, il doppio perturbante, 1986
#3
Girard, Delle cose nascoste sin dalla fondazione del mondo, 1978 Douglas, Purezza e pericolo, 1966 Bettelheim, Il mondo incantato, 1975 Barthes, Miti d’oggi, 1970 Gruppo di Liegi, Retorica della poesia, 1977 Retorica generale, 1970 Auden, prefazione a Stewart, Sense and Inconsequence, 1972
#4
Bergson, Il riso, 1900 Freud, Il motto di spirito, 1905 Grice, Logica e conversazione, 1975 Martin, Humor and Laughter, 2000 Little, Regulating Funny: Humor and Law, (2009) McGhee, A Model of the Origins and Early Development of Incongruity-Based Humor, 1977
#5
Bourdieu, L’economia degli scambi linguistici, 1982 Bleger, Simbiosi e ambiguità, 1967
#6
Marx & Engels, L’ideologia tedesca, 1846 Pasolini,Intervista di Louis Valentin, 1970 Foucault, Soggetto e Potere, 1982
#7
Orbdlik, ‘Gallows Humor’: A Sociological Phenomenon, 1942 Banc & Dundes, First Prize: Fifteen Years!, 1986 Warneken, Der sozialkritische Witz als Forschungsproblem, 1978 Stein, The Politics of Humor: The Berlin Wall in Jokes and Graffiti, 1989 Gamm,Der Flüsterwitz im Dritten Reich, 1963 Oring, Jokes and the Discourse of Disaster, 1987 Rancière, Politics of Aesthetics: the Distribution of the Sensible, 2004 Jankélévitch, Il Puro e l’Impuro, 1960 Appel, The Annotated Lolita, 1953 Melandri, La linea e il circolo, 1968 Luporini, Leopardi progressivo, 1947 Pasolini, Conversazione con Gideon Bachman, 1974 Intervista di Giorgio Bocca, 1966 Buber, Il problema dell’uomo, 1943
#8
Ryzik, Buckley & Kantor, Louis C.K. Is Accused by 5 Women of Sexual Misconduct, The New York Times, 9 nov 2017 Louis C.K. Responds to Accusations: ‘These Stories Are True’, The New York Times, 10 nov 2017 Kilmartin, Being a Female Comic in Louis C.K.’s World, The New York Times, 10 nov 2017 Ryzik, Louis C.K. Performs First Stand-Up Set at Club Since Admitting to #MeToo Cases, The New York Times, 27 ago 2018 Kiefer, Louis C.K. Returns to Stand-up for the First Time Since Admitting to Sexual Misconduct, New York Magazine, 28 ago 2018 Traister, Too Much, Too Soon, New York Magazine, 28 ago 2018 Dessem, Louis C.K. Performed Stand-up Sunday for the First Time Since Admitting Sexual Misconduct, Slate, 28 ago 2018 Hess, Louis C.K. Slithers Back, Whether We’re Ready or Not, The New York Times, 30 ago 2018 Stevenson, Standup Comedians Explain Why Louis C.K.’s Return Was So Infuriating, Vice, 4 set 2018 Amatulli, Louis C.K. Performs At Comedy Cellar Again, Appears To Have Learned Nothing, Huffington Post, 1 ott 2018 Ryzik, Louis C.K. Performs Again, but Club Gives Patrons an Out, The New York Times, 2 ott 2018 Deb, Louis C.K. Turns Up at a Comedy Club, but This Time It’s No Secret, The New York Times, 30 ott 2018 Wright, We Always Knew a Louis C.K. Comeback Would Be Easy, New York Magazine, 31 ott 2018 Aswell, The Role Money Plays In Louis C.K.’s Recent Return, Forbes, 2 nov 2018 Zoller Seitz, The Real Louis C.K. Is Finally Standing Up, New York Magazine, 31 dic 2018 Pesca, It’s Like Louis C.K. Is Not Even Trying to Win Back His Audience, Slate, 4 gen 2019 Dessem, Louis C.K.’s Newest Fans Deserve Louis C.K.’s Newest Special, Slate, 6 apr 2020
#9
Little Britain pulled from iPlayer and Netflix because ‘times have changed’, BBC News, 9 giu 2020 Nicholson, How Did It Take This Long To Put ‘Little Britain’ In The Bin?, Esquire, 11 giu 2020 Sandhu, Why blackface is offensive: the history of the racist comedy trope after Little Britain removed from BBC iPlayer and Netflix, iNews, 12 giu 2020 Marshall, Blackface on British TV Finally Faces a Reckoning, New York Times, 12 giu 2020 Blackall, David Walliams and Matt Lucas apologise for Little Britain blackface, The Guardian, 14 giu 2020 Ivie, Netflix Removes Several British Sketch Shows Over Blackface, New York Magazine, 14 giu 2020 Clark, How the History of Blackface Is Rooted in Racism, History, 15 feb 2019 Howard, The problem with blackface, The Conversation, 11 giu 2018 Harrison, ‘Little Britain’ Has Not Aged Very Well, Vice, 10 feb 2018
#10
Nabokov, Un mondo sinistro, 1947 Lehne & Koelsch, Toward a general psychological model of tension and suspense, 2015 Ramachandran, The neurology and evolution of humor, laughter, and smiling: the false alarm theory, 1998 Martin, Born Standing Up, 2007
#11
Salmon, Teoria della traduzione, 2018 Bloch, A well-disposed social anthropologist’s problems with memes, 2000 Borges, Altre inquisizioni, 1952 Catford, A linguistic theory of translation: an essay in applied linguistics, 1969 Nida, Toward a Science of Translating, 1964 Schleiermacher, Sui diversi modi del tradurre, 1813 Von Humboldt, Introduzione alla traduzione dell’Agamennone di Eschilo, 1816 Lotman, La struttura del testo poetico, 1970
#12
Iaia, Analysing English as a Lingua Franca in Video Games, 2016 Caimotto, Transcreare un nuovo tipo di umorismo: il caso di Daniele Luttazzi, 2014 Charensol & Régent, René Clair, 1952
#13
Edelman & Tononi, A Universe of Consciousness, 2000
#14
Neisser, Cognitive Psychology, 1967
#15
Hickok, The Myth of Mirror Neurons, 2014 Fo, Manuale minimo dell’attore, 1987 Melandri, Contro il simbolico, 1989 Brandi,Celso, o della poesia, 1957 Fernandez, Museo del romanzo della Eterna, 1967 Kafka, La metamorfosi, 1915 Woody Allen, Senza piume, 1975 Melandri, La linea e il circolo, 1968 Koestler, The Act of Creation, 1964 Perelman & Olbrechts-Tyteca, Trattato dell’argomentazione, 1958 Gruppo di Liegi, Retorica generale, 1970
#16 e #17
Gruppo di Liegi, Retorica generale, 1970
#18
Maraini, La gnòsi delle fànfole, 1978
#19
Gruppo di Liegi, Retorica generale, 1970
#20
Olbrechts-Tyteca, Il comico del discorso, 1974 Butor, Répertoire III, 1968
#21
Olbrechts-Tyteca, Il comico del discorso, 1974 Freud,Il motto di spirito e la sua relazione con l’inconscio, 1905
#22
Olbrechts-Tyteca, Il comico del discorso, 1974
#27
Malerba, Strategie del comico, 2018 Fo, Manuale minimo dell’attore, 1987 Girard, Menzogna romantica e verità romanzesca, 1961
#28
Treu, Aristofane, nomi in commedia (Parte I). Il destino nel nome: Acarnesi, Cavalieri e Nuvole, 2019
Dal 15 ottobre, il Fatto quotidiano pubblica la mia nuova mini-serie in 8 puntate dedicata a temi di cui in Italia si parla troppo spesso con scarsa cognizione di causa, trinciando giudizi ad minchiam (di solito per diffamare chi, per vari motivi, sta sulle palle). Qui troverete le fonti citate, puntata per puntata. Buon viaggio!
# 1
Borges,Prologhi, 1975
Ong, Oralità e scrittura, 1982
Melandri, La linea e il circolo, 1968
Eagleton, Literary Theory: an Introduction, 1997
# 2
Neubauer, New Paths: Aspects of Music Theory and Aesthetics in the Age of Romanticism, 2009
Melandri, La linea e il circolo, 1968
Cardini, Mosaici, 2004
Austin, How to Do Things with Words, 1962
Searle, Speech Acts, 1969
Eliot,Tradizione e talento individuale, 1919
Nancy, Dis-Enclosure: the Deconstruction of Christianity, 2008
# 3
VerSteeg, Rethinking Originality, 1993
Bracha, The Ideology of Authorship Revisited: Authors, Markets, and Liberal Values in Early American Copyright, 2008
Kaplan, An Unhurried View of Copyright, 1967
Boyle, The Search for an Author: Shakespeare and the Framers, 1988
MacFarlane, Original Copy, 2007
Casas Vallés, The requirement of originality, 2009
Mould, Against Creativity, 2018
# 4
Shields, Fame di realtà: un manifesto, 2010
Gordon, Reality as Artifact: from ‘Feist’ to Fair Use, 1992
Piola Caselli, Il diritto civile italiano secondo la dottrina e la giurisprudenza, 1927
Santoro, Brevi osservazioni in tema di parodia, 1968
Madison, Beyond Creativity: Copyright as Knowledge Law, 2010
Litman, The Public Domain, 1990
Bard & Kurlantzick, Copyright Duration, 1999
VerSteeg, Rethinking Originality, 1993
Borges, Finzioni, 1944
Arewa, The Freedom to Copy: Copyright, Creation, and Context, 2007
Updike, Odd Jobs: Essays and Criticism, 1991
Raustiala & Sprigman, The Piracy Paradox: Innovation and Intellectual Property in Fashion Design, 2006
# 5
Oliar & Sprigman, There’s No Free Laugh (Anymore): The Emergence of Intellectual Property Norms and the Transformation of Stand-Up Comedy, 2008
Voss, Is There Ever a Justification for Joke Stealing?, 2010
# 6
Oliar & Sprigman, There’s No Free Laugh (Anymore): The Emergence of Intellectual Property Norms and the Transformation of Stand-Up Comedy, 2008
Madison,Of Coase and Comics, or, The Comedy of Copyright, 2009
# 7
Strandburg, Who’s in the Club? A Response to Oliar and Sprigman, 2009
Kaplan, An Unhurried View of Copyright, 1967
Ellickson, Order Without Law: How Neighbors Settle Disputes, 1991
Grobel, Robin Williams – Playboy Interview, January 1992
Persall, Standing Up Just for Laughs, 1991
Oliar & Sprigman, There’s No Free Laugh (Anymore): The Emergence of Intellectual Property Norms and the Transformation of Stand-Up Comedy, 2008
Geoghan, Waiter, There’s a Joke in My Soup, 1989
# 8
Rothman, Custom, Comedy and the Value of Dissent, 2009
Oliar & Sprigman, There’s No Free Laugh (Anymore): The Emergence of Intellectual Property Norms and the Transformation of Stand-Up Comedy, 2008
Rotstein, Beyond Metaphor: Copyright Infringement and the Fiction of the Work, 1993
